Biography

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Choki Lindberg's photographs appear at first glance to depict interiors, often in a state of decay, void of human presence. The work is full of detail and fragmented stories. There are traces left behind, and we are invited to investigate and to associate freely. However, once we stop to study the details, an odd dimension surfaces. The proportions appear warped. Textures are exaggerated and there's a clumsiness to the objects. And slowly the artifice begins to unravel… What we see, are in fact meticulously crafted small-scale sets. Built by hand, every object is deliberately placed. The lighting carefully constructed. It is a visual deceit, in a language of its own, that questions reality and our notions of permanence.

"I work more like a painter or sculptor than a photographer — the image is constructed rather than capturing something existing, and working on a small scale gives me enormous freedom within very rigid confines. Building the models is full of limitations. Both the limit of the materials and the amount of detail possible, many things have to be altered and omitted, much like how we reconstruct it, each time we access a memory. I'm more interested in how that memory felt, than how it 'really was'. The walls felt cool, or the flowers on the table seemed transparent… that was what was important… and so the process becomes a kind of boiling down to the essence of that moment, emotion or scene I'm trying to encompass. It is like a condensed reality, where new questions and meanings might be found…"

Selected press

2022

Het Parool

Review by Edo Dijksterhuis — "Een enorm roombroodje gepresenteerd als architectonisch hoogtepunt." Review of the group exhibition Two Parts Impossible, One Part May Be at Galerie Bart, Amsterdam. 13 January 2022.

2021

I DO ART

Press release — Preternatural Impacts, Arden Asbæk Gallery, Copenhagen. June–July 2021.

2019

Artstalk Magazine

Article by Elaine Zheng — "Elsewhere – Choki Lindberg at the BART Gallery in Amsterdam." 23 June 2019.

2017

I DO ART

Review by Rikke Luna & Matias — "Kunstnerisk frihed, Franske gobeliner & Security check." Review of the Carte Blanche exhibition at the French Embassy, Copenhagen. 20 March 2017.

2017

Art Matter (formerly kunsten.nu)

Review by Matthias Hvass Borello — "Lige børn leger bedst." Review of the Carte Blanche exhibition at the French Embassy, Copenhagen. 15 March 2017.

2017

Artist feature — Artist feature in the August 2017 issue of Elle Denmark.

Selected exhibitions

2022

Two Parts Impossible, One Part May Be

Group exhibition, Galerie Bart Amsterdam

2021

Preternatural Impacts

Group exhibition, Arden Asbæk Gallery Copenhagen

2021

KunstRAI 2021

Group presentation, Galerie Bart Amsterdam

2020

The Great Photography Special

Group exhibition — 11 Photographers, Galerie Bart Amsterdam

2019

BBA Photography Prize 2019

Group exhibition, 4 shortlisted artists, BBA Gallery Berlin

2019

Elsewhere

Solo exhibition, Galerie Bart Amsterdam

2018

Art Noord, Museum Belvedere

Group presentation, EM Galerie Heerenveen

2017

Carte Blanche

Group exhibition at the French Embassy in Copenhagen, curated by Natalia Gutman

2013

Interiors — Reconstructed Memories

Solo · Gl. Mønt 25, Copenhagen, DK

Education

2006

BFA, Gerrit Rietveld Academie

Amsterdam, NL

1999

International Center of Photography

New York, US

1997

Fatamorgana

Copenhagen, DK

Residencies & commissions

20152009

Lecturer and Guest Teacher

Fatamorgana Danish School of Photographic Art

2015

Boudoir

Commissioned work for private collector, Copenhagen, DK

2014

Fljotstunga Artist Residency

Reykholt, IS

2005

Beelitz Exchange Academy

Beelitz Heilstätten, Berlin, DE

Support

Statens Kunstfond, Center for Kultur og udvikling, Udenrigsministeriet